For those of you that have swung through my studio in the past few weeks you may have noticed an army of spiky flower forms covering my tables and have probably wondered if I’ve lost my marbles. Well, I assure you that there is a method to my madness! This is the start of my new Umbel Series which will be installed at the UCSC Arboretum this spring as a part of Site Specific Environmental Installations; a new exhibit for Art at the Arboretum curated by Susana Arias. This exhibit will be up for an entire year so you can visit the installations and see how they change and respond to the environments as the seasons change. Here are a few photos of the work in progress, and I’ll be sure to share more as things develop.
About the Installation:
I have forever been intrigued by natural structures and the biology of how things work in nature. Lately, I have specifically been looking at umbel shapes in flower structures which is a flower whose shape resembles an umbrella. I’m attracted to these structures for the visual volume they create while remaining delicate and light at the same time. In researching flower structures, I also came upon a story of the wild mustard plants of California. The story has many variations and most are believed to be folklore but the basic premise is that the Padres and explorers to form the Missions left behind a trail of mustard seeds as they traveled from Mexico to California so that the seeds would grow and the bright yellow mustard flowers would color the path between each mission for the 800 mile pilgrimage. I love the idea of being able to track your path through the wilds of the world by following a color. While wild mustard flowers in reality are not the umbel shaped forms I’ve been researching, I loved this story so much I thought I could combine these concepts together to create an impactful installation.
I plan to build 200+ abstract ceramic flowers that will have an umbel form to them using high temperature wire to help create the delicateness of the structure and they will be glazed in the bright yellow color of wild mustard. Each flower form will be supported by a steel stake that will be driven into the ground as a ‘stem’ so the flowers can hover a few feet above ground level. It is my hope that the impact of number of flowers and the yellow spot of color in contrast to its surroundings will create a dynamic installation that will engage the viewer and encourage them to explore the landscape.
For me, this is all a part of the process of creating. The ability to let go so that you can refine it in your head and in it’s physical form is crucial to this process. I don’t think of this piece as being gone forever, I think of it as not being ready to be out in the world yet. I also know that there are parts of this form that are very familiar to me and parts that are new, it takes time for these ideas to come together. I like to ask myself questions about the content of my work, “Why am I making this?”, “What did I see that inspired it?” and “Are there other ways to express this concept?”. All these questions need to have at least some start of answer to them if I’m going to continue investing time into making the work and if I don’t have those answers yet, that’s ok. These questions and these forms don’t go away, they hibernate until they are shaped into something I can verbalize, at least to myself. It may be another decade before this comes to fruition but that’s ok too.
‘Take Aways: Art to Go’ at 
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