Featured Work: Bone Series

I walk on the beach or in the forest nearly everyday, it’s my time wander, be inspired and explore. I usually end up collecting something along these walks; a stone, a piece of wood, today it was a vertebrae from a seal that had washed up in a storm.

Over the years, as my bone collections have grown, I’ve really studied the shapes, the curves and the textures. It’s made me realize that what I’m attracted to about these parts is that I love to see the insides of things and understand how things work, how they are put together and how complex yet how simple the puzzle of our bone structures are.
Jenni Ward ceramic sculpture | the dirt | Featured Work Bone Series
My Bone Series has been inspired by these explorations of structure and form. I’ve recreated these structures in clay by emphasizing the fibrous texture through all the holes cut into my pieces, focusing on how our internal structures shape our outer form and contrasting the balance of strength and fragility.

When I create series of work I play with the variety of ways that they can be displayed, so the Bone Series has been suspended in a museum, taken 70′ under the ocean, pushed into the sand on the beach, connected on a frame to create a wall of bones and displayed in galleries under bell jars. As much as I’ve done with these pieces, I feel like I’m just getting started and that this series will be coming out of the studio for a long time.

View more pieces from the Bone Series here

Lichen Series | New In the Field Installation

This past weekend, I spent the better part of Saturday in the forest with my amazing team of art sherpas, videographers and photographers installing a new In The Field piece from the Lichen Series. We packed up over 50lbs of ceramic sculpture parts and all the gear to hike into an area of the forest I had scoped out weeks earlier. The recent rains storms had flooded the creek making for a trickier crossing than anticipated but we were able to cross with everything in tact and dry gear. Shaded under the redwood canopy, the contrast of the white glazed surface of the pieces against the dark forest floor made the installation appear to glow- it was a beautiful! A portfolio page and new video will be launched soon with details of this installation but until then, here’s just a sneak peek of what we did…

Sneak Peek: New In the Field Installation | the dirt | Jenni Ward ceramic sculpture

photo credit: Sequoia Kimmel

Free Shipping February Starts TODAY!

Do you love free shipping? Enter the code LOVEFREESHIPPING at checkout and the shipping costs are on me!
If you haven’t been able to make it to the studio or a gallery opening to start collecting my work, now’s your chance! Work from the Rock Candy, Hive, Specimen, Nest , Bone and Seed Pod Series all qualify for free shipping for the month of February.
Are you feeling the love?

Jenni Ward ceramic sculpture | the dirt | free shipping February starts next week

Free Shipping coupon is valid 2/1/16 – 2/29/16 in the US only and excludes gift items, books and classes.

Free Shipping February Starts Next Week!

Starting Monday February 1st, it’s free shipping February! Do you feel the love?

Jenni Ward ceramic sculpture | the dirt | free shipping February starts next week

Free shipping offer is good within the US and does not include gift items, books or classes.

Making Kiln Stilts

I have a decent selection of store bought stilts for the occasional need to glaze a project completely. Most of the stilts are for something at least 3″ across so that the object balances evenly on the stilt, but one of my students wanted to make marbles- smaller than an inch across sized marbles. While I thought her plan of designing and carving these tiny sculptures was a great idea, I also explained that if she wanted to use glaze on the entire surface, I had no way of supporting them in the kiln on my existing stilts. She took a second to think about it and then asked if she could make her own stilts with the nichrome wire that I use in my work often- and she did. We bisque fired her tiny stilts and marbles and when she glazed them, each one was propped on its own individually made stilt and placed in the kiln. They worked brilliantly and since then I’ve started making all of my own stilts.

Jenni Ward ceramic sculpture | the dirt | making kiln stilts

I roll out a slab of clay on my slab roller and use cookie cutters to cut out as many shapes as I can fit on the slab. Then I use nichrome wire and cut it into short lengths, trying to be as consistent as possible with the size and also trying to cut the wire on a sharp angle so that the pointiest part is what will touch the glaze and I stick them evenly spaced into the clay shapes. I use a medium gauge nichrome wire for this, if it is to thin, they tend to sag in the firing while supporting your piece or wear out quickly, too thick and they leave a heavier mark in the glaze for you to grind out afterwards. If you have left over element pins, these work great too for holding sturdier pieces. Each piece is dried and bisque fired and then you are good to go. My stilts get a lot of kiln time and eventually wear out but then I just crank out a new batch and I’m set to go again.

I love that the ingenuity of my students, not only made me look at my existing supplies in a new way but they also don’t let the studio limitations limit their work. #mystudentsrock

Tools

Stores are filled with a plethora of every tool imaginable and it can be overwhelming, sometimes I’m enticed touching the racks of perfectly clean tools still wrapped in plastic and I think, “That would be a nice texture.” or “That tool would make that one thing so much easier.” but the truth for me is that my tool needs are simple. That said, I fully admit that I have a studio filled with hand tools of every shape and size that my students use, but for making my own work, I have one small jar of tools and rarely do I need anything else.

Jenni Ward ceramic sculpture | the dirt | tools

From left to right, here’s my main arsenal of tools for nearly everything that comes out of my studio. Two loop tools with various shapes and sizes for carving and scraping, a sharpie marker that I use for the shape the back of it makes scraped in clay more than anything to do with its writing abilities. The garage sale fork is my main scoring tool, a rubber tipped blending tool for small areas and the back end of it is used too. A large wooden skewer for poking, blending, reaching into places my hands can’t fit and for stirring epoxy glue together. The wooden paddle is one of my favorite shaping tools and when I thought I lost it once, I was really disappointed, luckily it showed up again.

The sharp tool section are the most used of all my tools, a double ended carving tool, a pin tool and two well used x-acto knives. Every hole in every piece is cut with an x-acto knife and the clay edges carved off with them which shows in the way the blade has worn away in a curve. The handles had to be padded and wrapped because of so much use and I have a permanent callus on my right middle finger because of these tools. The last two tools, my metal scraper and large sea sponge are usually used as the first and last mark making tools on my clay.

What are your tools of the trade?

Classes at the Studio

Just a reminder about our current and upcoming classes at the studio…

Jenni Ward ceramic sculpture | the dirt | classes at the studioPrivate Classes
There are still a few spots open for private or semi-private classes in February, March and April. Open to ages 7 and up, families and students of all experience levels are welcome.

Spring Workshop for Kids
This 8 week create with clay workshop is open to kids 7 and up of all experience levels. We end with an exhibition at our Annual Spring Studio Sale on April 30th! Students can show and sell their work at this fun event!
March 1 – April 21, 4:30 – 6
Tuesday, Wednesday or Thursday
Spots are going fast, so sign up today to reserve your space!

Adult Classes
Haven’t touched clay since kindergarten? Want to try a new medium for your creative endeavors? Join us at the studio for the opportunity to explore your creativity with clay.

B CR8IV and Sign Up Today!

Studio Tour

If you’ve never been to the studio or you haven’t visited me in awhile, now is your chance to check out all the new and fun things going on at my studio in the redwoods. Click play on the video to take a virtual tour of my studio. You are always welcome to make an appointment to tour the studio in person too!