I’ve been slowly plugging away at these pieces, trouble shooting and learning as I go. This batch was the best yet and honestly they look so much better in person than photographed but hope you can get a sense of their potential.
There’s of course still some kinks to work out with the resin, the frames, and the lighting but I’m really excited about them and I know that when I dial it in, they are going to be amazing. If you missed the last post, read here first, but otherwise enjoy this quick video of creating these pieces one layer at a time.
Just a quick update on the Lichen Series: Spore Pattern installation that’s going to be installed in the Price Sculpture Forest this summer. I’ve been steadily building pieces in the studio and decided that I had enough to start laying them out on the floor of the studio. These are all in various stages of drying, firing and glazing but laying them out gives me a good idea of how many more I need to make and what the final piece will look like.
The large circle in the center photo above is about 10 feet across with a 1 foot center opening and there are almost 200 pieces placed down. I’d like the final piece to be about 2 feet wider, and there are still some holes to fill with parts, so I’m estimating that I’ll need to double the amount of parts but I’m getting closer to the finish line. Can’t wait to see it all together and installed!
This exhibit features seventy-six of the county’s most notable artists in Take Aways: Art to Go! The art on view includes a wide variety of mediums including: sculpture, drawing, ceramics, fiber, mixed media, encaustic (wax), printmaking, photography, glasswork, and more. In this wildly popular show everyone benefits; you take home fabulous art the day of your purchase, the artists and PVA get their normal commissions, and new art comes into the gallery every day!
I’m finally ready to reveal a fun collaboration with sculptors Lucia Bruer and Franco Di Majo entitled Bling!
It all started with the pile of Rock Candy pieces in the studio. Lucia was visiting the studio one day and said, ‘Wouldn’t it be fun if they were gigantic jewelry?’. We both looked at each other and knew we had to see this idea through.
We decided to make two rings, that would appear to be stuck into the ground at the bottom and have their big gems crowning above.
Lucia enlisted the help of Franco and they started planning out the logistics of making the structure for band of the ring. Then we designed the layout of the band so that it mimicked the shapes of the ceramic rock candy. We also designed the bezel it would sit in with similar angles. Next up, there’s a lot of welding to do but it was really exciting to get a vision of what it would look like assembled.
We’re hoping these rings will be installed at Sierra Azul Sculpture Garden early summer, details to follow.
ABOUT: The Bone Series: Urchins are hand built, perforated flanges of very thin, nearly translucent porcelain, if held up to the light the edges will glow. For this ephemeral In The Field installation, I went to one of my favorite beaches near Davenport California at a very low tide to have access to where the urchins live. Read more…
I met Rakel (aka India Maya) in the little town of Todos Santos, where I’ve recently bought some property. We met through a network of local artists at events she was participating in and hosting at her home studio. She was also kind enough to allow me to use her kiln to fire the work I was making during our stay in Baja. As I’ve gotten to know her, I’ve learned a little about her Mayan heritage and how she uses locally sourced clays (mixed with a little commercial clay) to make and fire her pots and beads to produce her work in the traditional Mayan ways. The results are burnished surfaces and smoke markings that make her work beautiful to hold and to look at. Her work is literally connected to the land and spiritually connected to her heritage.
Pienso que cuando la gente quiere llevar un recuerdo de Todos Santos buscan llevar algo auténtico y único, es la razón por la cual me gusta usar barro local, es una forma de llevar un pedacito de Todos Santos a tu hogar. Afecta de manera emocional en las personas, les encanta cuando les digo que el barro es local & ellos mismos se dan cuenta de lo auténtico que es mi arte. Es una forma de expresar lo orgullosa que estoy de mi linaje indígena y también es una forma de dejar nuestra huella. Es importante mantener nuestras raíces y el arte que mejor manera de hacerlo atravez del barro.
I think that when people want to have a souvenir of Todos Santos they seek to bring something authentic and unique, it is the reason why I like to use local clay, it is a way to bring a little piece of Todos Santos to your home. It effects people emotionally, they love it when I tell them that the clay is local & they themselves realize how authentic my art is. It is a way of expressing how proud I am of my indigenous lineage and it is also a way of leaving our mark. It is important to keep our roots to the art and the best way to do it is through the clay.
Learn more about India Maya’s work with this beautiful video designed by creative hub Mi-Zo Exchange who also operate CASA MA in Baja Sur, where they design & produce one of the kind furniture in collaboration with local artists:
Want add her work to your collection? Visit these shops in Todos Santos, BCS:
Artists Sharing Artists: is a series of posts where I share some of my favorite artists who are also inspired by nature and use their art to protect what they love. More artists coming soon…
Sculptor Jamie Abbott and I collaborate on making these fun and funky wearables, each one is unique with a selection of porcelain and forged metal forms strung on ball chain or leather cord.
This piece from the Bone Series | Urchins will be available in the online auction to support the Grants Pass Museum of Art. Join the museum in a night of Blues music, art and storytelling at their Virtual Black, White, and the Blues event.
Thursday, March 25, 2021 6PM (PDT)
This year’s event is a chance for the community to join together to ensure art remains accessible for all. RSVP and learn more here:
Last week, I announced my opportunity to create a large scale public art installation for the Price Sculpture Forest in Washington State. My studio is filling up with parts for this project, so I wanted to share my progress. (if you missed last weeks post, here’s the link!)
These pieces are in various stages of being built. I cut out all the shapes intuitively so that each piece is unique and there are a variety of sizes. The far left image shows the shapes but all the edges have yet to be attached. It’s important to let the panels of each piece set up a little before they are attached so that they hold their shape as they are handled and moved around. Once they are attached, they are left to dry a bit more and then they get a final wipe down before they are left to dry completely.
Once all of the pieces are bisque fired, they are ready for glazing. Each piece is glazed on all sides with a white matte glaze that is reminiscent of the shelf fungus color they are inspired by. Then each top edge gets a stripe of dark glaze that when fired is metallic colored where it is thicker and fades to a mossy green where it blends with the white glaze underneath. Now these guys are all ready to go for a ride in the kiln!
This batch of pieces totals to somewhere around 50 or 60 parts, but I’m estimating that I will need about 8 times that for this project- maybe more! Eventually every surface in the studio will probably be covered by these pieces, exciting times!
