Just a reminder that a portion of all online sales for the month of October will be donated to CERF+, an organization that helps artists in emergency relief.
They will be distributing funding to dozens of artists who lost their studios and artwork during the flooding in western North Carolina.
Western North Carolina is home to so many clay artists, some of whom I know personally, and many have lost their studios, work and livelihood in the flooding from Hurricane Helene.
If you are looking for ways to help, CERF+(Craft Emergency Relief Fund), provides Emergency Grants as well as Get Ready Grants for Craft Artists. It is a great way to help these artists get back on their feet and prepare for the future.
I will be donating a portion of all sales in the online shop for the month of October to CERF+, so if you want to help artists AND get some art, click here!
Have you seen the video of where my inspiration for making porcelain urchins came from?
This video was taken at Davenport Landing in California, a favorite spot of mine and home to millions of purple urchins at low tide. Can you believe, they actually bite away at the rock with their teeth and slowly sculpt their protected home around them?
Purple urchins are beautiful and mesmerizing to watch but they have also been multiplying like crazy in recent years and devouring the kelp beds off the California coast at an unstable rate. This is due to sea star wasting disease, as the sea stars are the main predator of urchins. The urchins have thrived and they can eat up a kelp forest in no time. The kelp forests are the food source and habitat for hundreds of other marine creatures. The good news is that the roe inside the urchins is delicious and a Japanese delicacy called uni, so if you see some purple urchins, don’t be afraid to crack them open and eat up the golden roe, you can help save the kelp beds and get a fancy meal out of it!
If you want to take a piece of the ocean home with you, pieces from this series are available in the online shop.
There are only a few items left in the online shop!
A selection of porcelain Medusas and Urchins in Bell Jars and colorful Trinket Necklaces are available in the online shop. Pieces from these series will not be available for sale in the US again, so grab them before it’s too late!
A Feast of Fennels Umbels at Sierra Azul Gardens will be coming down soon. If you’d like to transplant these sculptures into your garden – now is your chance!
There are four flowers available in varying sizes, the height of the flower stems can be made custom for your space. Free local installation, feel free to contact me with questions!
A million years ago, I was making a lot of insect inspired works, like this bee inspired one which bounced when you touched the metal rods. We had just moved into the redwood forest and I think I was inspired by some of the critters that made their way into our home. I made small abstract critters using a combination of clay, copper, steel and wire mesh and loved getting the heavy clay bodies to stand on tiny wire legs. (which is not dissimilar to my current medusa sculptures!)
I also remember making a small installation of abstracted bugs with wire wings that were installed to look like a small swarm in flight. I think there was maybe a dozen of them and I remember wanting to make hundreds of them but for some reason didn’t. I haven’t thought about that piece in forever and I couldn’t even find any documentation of it.
Now, living in the desert, I’m surrounded by the weirdest critters, like stick bugs, trap-door spiders and praying mantis. Just the other day, a wild bee hive on our property swarmed and I watched it throughout the day as they left the hive in controlled chaos, clustered on a nearby tree for a few hours and then in perfect timing they all took off to their new home.
Even though I hadn’t thought about that little installation in years, the bee swarm made me realize that it was time to make that installation of hundreds a reality. I’m not sure of the details, but I’m excited to make some abstract bugs that will swarm somewhere on the property. Inspiration comes from all kinds of places but somehow insects always hold a place in my heart!
I get asked a lot, what are you working on in the studio? And right now, it’s not really on new work, those ideas are always there and brewing, so don’t worry, I will circle back to them soon enough. But instead, I’ve been making parts for my studio. I’m planning on gates for the entrances to our property that will have metal framed rectangular structure to them, but will incorporate pieces from my Bone Series into the open panels of the metal structure. It will look similar to the way I filled this arbor space at a past exhibit, but the gates will be broken up into smaller framed sections and it will also be slightly denser with wire cables and ceramic elements to be functional in keeping all the critters on the appropriate sides of the fence. I’ve been working on the parts for the gates, which turns out to be a lot of square footage of area to cover, so a lot of parts!
I also wanted to make custom sconces for the outdoor lights of the studio, I have three made that are in the traditional shape of Mexican clay sconce lights, but designed with my aesthetic of hole pattern carvings, these will hang on the long stretch of the patio area. I plan on making two more that will be larger circular versions for the front walls.
Right now, I’m filling up the shelves with all of these raw clay parts since my kilns can’t run on the solar system since they draw WAY too much power. Instead, they will need to be hooked up to a large generator to run properly and we are still researching the right generator for the job. But soon enough, we will have the kilns running, all the work fired up, and I’ll get these custom works installed.
While we are definitely working hard on projects to get the studio and land functional and beautiful, we are still taking time to enjoy where we are.
Went back up to Taller de Terreno to check my big piece which has been exposed to the elements on the roof for just over a week now. The acacia wood tendrils have dried from green to brown and I got some pics of some beautiful cracking in the clay starting to happen.
Being in the full sun, the piece is drying quickly causing the clay to contract unevenly, leading to the cracks, which of course was the whole point of this ephemeral piece. I love how beautiful these crack lines are and wonder where the tension point is for the piece to no longer be stable.
Come see the changes in this piece for yourself at the closing event Saturday April 6th from 4 – 7pm at
Taller de Terreno | Las Playitas | Todos Santos | BCS
Big thank you to all who came out to see this exhibit and gave kind words about my work, it was wonderful meeting so many new people. If you missed it, it was a beautiful afternoon overlooking the desierto y el mar and eventually watching the sun set. Here’s a few pics to inspire you to come out on Saturday April 6th for the closing of this exhibit…
I managed to get four cinderblocks and 20 buckets of rocks up onto the roof to create a level pedestal for my piece. Then we hauled all 100lbs of my sculpture, out of my studio, drove it up the road and carried it up onto the roof and somehow, it all worked out beautifully. My goal was to get the piece to silhouette against the sky and I think that was pretty successful. The acacia branches I inserted into the end of the work, moved and bounced in the wind. And with the blazing sun, we even got some small cracking starting to happen as the raw clay dried rapidly. It will be interesting to see its state by the time of the closing of the show.
A few of the other talented artists’ work in this exhibition…