We are sharing each of the artists participating in our current exhibition H2O through our blog series, Artists Sharing Artists, so you can learn a little more about them and their artwork. If you’d like to come see the show in person, please check out our pop-up event schedule and/or book a private tour with us! If you’d like to purchase work, please contact us!
About the Artists:
Rudy Mendoza is a Mexican artist that merges sculpture and architecture. His practice explores the concept of spirituality through contemplation in everyday life.
Oso Mango is a multidisciplinary Mexican artist working across painting, sculpture, installation, and digital media. His practice explores the space between the organic and the technological.
About the Art:
This work explores two conditions that, when brought together, quietly disrupt the familiar: the liquid state of matter and black understood as non-color. Liquid has no fixed form. It adapts to the shape that contains it, replicating without possessing, transforming without touching. Its identity is relational—it exists through response and continual adjustment. In this absence of form lies a clear lesson: what does not fix itself can perceive more, because it is not bound to a single appearance.
Black appears here not as pigment, but as an active absence. It is not a void that diminishes meaning, but a reduction that concentrates it. When the water is darkened, transparency ceases to function as a passage and becomes depth. We no longer look through it; we look into it. Within that depth, details emerge that clarity often erases: reflections of the sky, subtle vibrations, slight shifts of light that reveal movement, time, and presence.
For this reason, the work feels closely aligned with astronomy. In the universe, the most decisive forces do not always shine. Black holes cannot be observed directly; they are known through the way they bend light and affect the matter around them. In a similar way, this black liquid field does not represent the night—it renders it legible through its effects. Absence becomes an instrument. The invisible becomes perceptible not by appearing, but by leaving traces.
There is also an ancient echo in this gesture. Maya astronomers studied the cosmos through patient observation of patterns—cycles, returns, displacements. Here, darkness and fluidity form a small terrestrial observatory: a space where the cosmic scale descends into material experience, and where looking is not about consuming images, but refining attention.
At the intersection of non-form and non-color, the work proposes something both simple and demanding: that reality often becomes clearer when we stop insisting on fixed contours and definitive tones. Sometimes, to see more, one must remove. And allow the world—like water—to settle, revealing in its depth what usually goes unnoticed.
Earth Art Studio believes in supporting working artists! Purchasing art work and/or contributing a donation for your visit to the sculpture trail helps keep our creative community thriving and making more art!
Currently, the studio is only open for scheduled events and by appointment.
Please contact us if you’d like to visit!
