Let me just start by saying that I love Shannon Sullivan’s work. It’s clearly based on her keen observations of nature from a micro to macro scale. She’s clean and precise in the execution of her organic forms with a clever eye for presentation. Be sure to watch the video below where she explains the process and inspiration behind making her latest body of work, Folded Topographies. I am really looking forward to getting to know her and her work better as we work towards a group exhibition next spring.
Shannon is one of five artists in the exhibit that Cynthia Siegel and myself are co-curating as part of the 2022 NCECA conference entitled, This is the Anthropocene. The Anthropocene is defined as the current geological age during which human activity has been the dominant influence on the climate and the environment. The artists will be responding to this topic within the themes of Animal, Agriculture, Landscape, Water and/or Atmosphere in a diversity of styles and approaches. Shannon will be featuring work from her disc series as part of this exhibition. Over the next few months, I’ll be featuring the other artists from this exhibit.
Sullivan creates sculptures, wall pieces and installations using a core visual vocabulary rooted in the prevailing ways of nature. Her work maintains a seductive, mysterious quality as she explores the nuances present in the living world.
Wet clay transforms the paper mold from exclusively sharp and crisp to something in between—manipulated, and distorted. I seek the inimitable forms that result from this experimental process of what I’ve termed “paper casting”. Jutting and topographic, the glazed composite forms are reminiscent of plate tectonics at work. I’m compelled by the rugged and folded coastal mountain range of my home here on the North Coast of California.
Artists Sharing Artists: is a series of posts where I share some of my favorite artists who are also inspired by nature and use their art to protect what they love. More artists coming soon…