The specimen series are small wall mounted sculptures inspired by biological specimen collections often seen in museums. They are abstracted version of seeds, fungi, shells and bones made entirely of clay and arranged in an intriguing compositions. Reminiscent of beautifully arranged sushi in bento boxes, these pieces are designed to intrigue. The ceramic boxes create frames which both restrict and enhance the pieces that they contain. The forms in each box have been fused into place through the kiln firing process.
Each box has a simple wire loop on the back and is ready to hang. These pieces are small enough to fit anywhere and bold enough to make a statement in your space. Originally priced at $225, these pieces are now available for $195 through the end of July, browse the available pieces from this series in the online shop.
The Bone Branches are small discs of clay thoughtfully configured using steel cables within the crook of a branch, reminiscent of a web between tree branches catching the light. Unique pieces like these can blend in with everyday objects while holding their own in a room. They have an ikebana inspired style of minimalism and balance to them that contrasts the natural world with the urban.
Only 4 of these pieces are now available for sale in the online shop! If you’d like to see them in person, visit Mulberry Gallery in Aptos. Learn more about these pieces here: Bone Series
Small sculptures can make a big impact on a space. These little nest pieces are hand held in size, they feel good to pick up and hold, like a found shell or stone. They are inspired by forms in nature, each piece hopes to find the place where art and nature meet. The nests are all handmade and have a small ceramic form fused on the inside that is protected by its outer ceramic shell. A variety of these unique small nests are available in the shop.
The simple hollow cone shapes of the Hive Series, which have one end hand-carved with an abstract hole pattern, have taken many compositions over the years that I’ve worked with them. I have always loved the way that the pieces seem to interact and talk to each other which creates a dynamic energy in the finished work. The same pieces were used in the hanging installations as in the In the Field clusters but each of those compositions has a very different feel to it. I enjoy being able to play with placement of wall, pedestal, suspended, interior or exterior options as way of physically experimenting with the same body of work.
Conceptually, the Hive Series installations are an expression of the energy between opposing forces. In nature, a hive illustrates the natural balance between strength and fragility, curiosity and avoidance, security and vulnerability. In these arrangements, these concepts are explored using a geometric configuration of multiple ceramic forms. The combination of these elements create an abstract interpretation of a hive structure both physically and conceptually.
These pieces have been beautifully installed in large museum spaces, small galleries, private homes, gardens and a redwood forest. While many arrangments of the Hive Series pieces have already been sold, there are still over 200 parts waiting to find the right home. If you are interested in working with me to create an installation in your home, garden or commercial space, please contact me to discuss the options- I’d love to work with you!
The specimen series is a line of work that focuses on arrangements of organic shapes. The small wall mounted ceramic boxes create frames which both restrict and enhance the pieces that they contain. The forms contained inside the boxes are abstracted version of seeds, fungi, shells and bones but made entirely of clay and arranged in an intriguing composition. The forms in each clay box have been fused into place through the kiln firing process. I wanted these sculptures to have the feel of biological specimen collections often seen in museums, each cataloged and preserved. In my own life, I like to organize and box things up, it makes me feel in control of the things I own and this series translates that same idea of organization and categorization.
Each piece is uniquely hand-built and there are a limited number of pieces left in this series. All available works are in the SHOP.
I started the Nest Series around 2010 and only recently stopped making pieces from this series. They began as a technical challenge to cleanly trap one form inside of another and also to pay attention to the inside of the vessel. Traditionally the inside of clay forms are hidden from sight, in these pieces I love being able to see through the work, it creates a visual lightness in a medium that is physically heavy. In the course of making this series, I experimented with every type of hole, shape and possibility I could think of to find what was the most successful way of conceptually expressing the balance between protecting and trapping. Each nest has an item that is exposed to the viewer through its outer shell but also shielded by its webbing. In some, the inner items are attempting to escape but are then left vulnerable to the elements, I think that this is a human condition we all feel at one point or another. If you’d like even more info about this series, you can watch a video where I talk about the process of building and the conceptual aspects of trapping forms.
These pieces are hand-built, hand-carved and created with a process that fuses the inner pieces to the outer. They are made from high fired stoneware and each piece is original and unique. You can purchase pieces from the nest series in the SHOP while they last.
In the spirit of revisiting older but still very relevant work, I’d like to take the time to showcase some of my series, this time the lichen series. Sometimes work comes and goes in the studio so quickly you don’t have much time to live with it, but these pieces have graced the shelves of the studio for a while and I’ve gotten to spend time thinking about them and why I’ve made them.
Secretly, I’m kind of happy that this piece hasn’t sold yet, I really love this guy and hope it goes to a good home someday! Its up on my studio wall, so I get to check it out all day while I’m working. It was kind of a spontaneous build, so the longer I live with it, the more I get to think about why I made it.
While I was working on it all of the parts were laying flat on the table and they had the appearance of slick whale bodies with crustaceans growing on their skin- it seemed very of the sea. But as soon as the pieces went on the wall the feel about them changed to growing plants or a forest of burnt trees that had died and new growth was taking over and hence how the lichen series was named. I also really love how activated all the spaces in-between each piece is. This series is a study in the balance of duality, the pieces play with ideas of death and regrowth, the power of negative space and the contrast of black and white. Each lichen growth is fused in place by the glazing process in the kiln. These pieces are hand-built from high fired stoneware and each piece is original and unique.
If you’d like to add pieces from lichen series to your collection, click for more information.